THE BIG WAY STAGES

It all began in 1996… Maxim Belyaev, at that time the student, writes down a composition "Video Apasno" ("Video is dangerous") which has soon begun to sound in " Russian of Radio - Voronezh". The following song carried the name “Samolyot” ("Plane") and radio “Europe plus - Voronezh" was actively broadcasted it . After that Maxim Belyaev with his brother Sergey organize the project «White men in the republic of South Africa» and write down home-taping album "Marta selfexibition " and "Plane" is planned to an output on the collection "Voronezh - state of love". Further the period of failures follows. The collection "Voronezh - state of love" was not published. There comes 2000 year. After the concert which has been lead in opinion of Maxim unsuccessfully, he for a while stops activity of the project and accepts the offer to take part in new one, that was named "Vantit" which he quickly enough leaves because of creative disagreements with other participants, however having had time to make half of the musical material appearing most adequately among other sound bore and text feebleness. The project fails with a crash, though in opinion of certain Svetojar (www.rodnoverije.com) Maxim's song "The Black Plane" "became a hit among the right youth". Further Maxim was surprised to know about occurrence of bootleg " My beliefs " that contained as already known "Video Apasno" and "Plane" and their instrumental versions, and just instrumental compositions "Digital baby", "Night train across another country " and the instrumental version of " Sun of the summer ". Maxim decides to return to his own project and to search for the new, professional vocalist who becomes former bard Paul Myagkov. The project is renamed in "Die Schpritscen" and under Christmas of 2001 they write down a new song "Together again". The composition borrows 8 place at competition "Antivacuum srez" which was at that time carried out by the Moscow program "Vzglyad". After that Sergey leaves for scientific work, and the project again changes the name, this time on "War Saw". The summer of the same year they wrote a new version of the composition "Sun of the summer", and began to disturb the Moscow and Petersburg records-companies which have answered with long and eloquent silence. After painful meditations there comes the decision to try happiness at foreign land - "Abroad will help us!" - and the result was unexpected: the manager of German group "De/vision" has responded the first, after the offers from different European independent studios specializing on a techno and a underground have acted: Ouzel records (Italy), Hahamandad records (Holland), Dhyana records (Germany).